. Score . two
Miguel Maia and Mafalda Moreiro
Miguel Maia and Hugo Borralho
Ana Sacadura, Sofia Garrido
and Mafalda Moreiro
scenography and costumes
Execution of Costumes
Helena Leitão and Manuel Moreira
Ana Laura and Patricia Maio
José Falé, Samara Rainho,
Rui Mendonça and Rui Pereira
Mafalda Moreiro and Raúl Vicente
A master. A woman. An alienated one.
One not alienated. The apocalypse. The after. One wakes up, thinks for the first time, glimpses the sleeping plain, without trees, the sky black with uncertainty, the moon hidden by shame. It is perceived. We have a name, and hopefully a story not to tell. We look back, anger takes us. We get revenge. Death is for real, the ultimate loss. You cry and the tears are wasted. It is reborn. Dry salt on the face, Burning sun in the eyes, when shy is born. Trees are planted, minds are watered, breasts streaked with wounds are licked, they roll in the mud. But what about the screen, doesn't it come back on? Who supports us, who tells us how to do it? Who's in charge now? It's us.
Largest theater production of Cepa Torta so far. Theater piece by the Company's author, Miguel Maia, who explored the concept of apocalypse and the possibility of three survivors dealing with past wounds and starting all over again.